Riders of the Purple Sage
Last week, I went looking for something light and fun to read and didn’t have too much in my library of that ilk, that I had not already read. So, I grabbed a Crown Publications collection of novels by the famous western author, Zane Grey. I started reading Riders of the Purple Sage, a book written in 1912 -- the same year as the Titanic and the birth of Kim Il Sung of North Korea(synchronicity! For some reason that year, 1912 -- 101 years ago -- keeps coming up lately.) The novel started a little slow, but within a few pages I was into it. Later I really liked it.
What is a Zane Grey? Sounds like the wallpaint at a mental hospital, doesn’t it? Actually, Zane Grey is the author of what some consider the greatest western novel ever written, the afore-mentioned Riders of the Purple Sage. Before there was Louis L’Amour and “The Sacketts“(you‘re welcome, Tom Selleck); or Charles Portis and True Grit(Shout out to John Wayne and Jeff Bridges); or Larry McMurtry and Lonesome Dove(Hey, Robert Duvall); there was Zane Grey and the purple sage(Howdy, Tom Mix and Ed Harris.) It’s been made into a movie five times since it was published.
The novel is a western, but to me it’s more of a Chick book(“Hotty Hardback” doesn‘t sound quite right somehow.) For example, the Riders of the Purple Sage are not specifically cowboys; the only place in the book where people are called “Riders of the Purple Sage” is when the gunman Venters and his girlfriend Beth leave Surprise Valley to outrun the rustlers and the evil Mormon Tull to get to freedom and be married. Another example of Grey's softpedaling adventure for romance would be where the gunfight action occurs. Almost always, the gunfighting -- and there’s plenty of shooting and killing -- happens outside the story line and is told by a witness. My guess is these were more pacifist times before World War I and people would have been shocked by the violence, even in a book. There’s lots of long, romantic, mushy sentences(Grey doesn’t apologize for being a romantic and wrote, “People live for the dream in their hearts.”)
The women are wonderful, sometimes saints, sometimes misled, sometimes innocent, almost always having sacrificed their romantic dreams for their religion, Mormonism. As you can see, Mormonism comes off very bad. The most Grey can say positively is that one of his characters has met a Mormon or two who are okay. Also, one Mormon rider returns to work for Jane Withersteen -- of many Mormon hired hands and eavesdropping household servants who have abandoned her in obedience to the Church. You see, Jane has refused to marry the Mormon Tull and has helped poor Gentiles(non-Mormons) in the area with food and jobs. Therefore, the local Mormon Church has hatched a plan to take the young heiress’ ranch by stampeding her cattle and stealing her beloved black Arabians, Night and Black Star. The faithful Mormon rider who returns is murdered by assassins hired by the church.
Jane’s refusal to marry a man she did not love occurs in the context of Polygamy, which is a way of life in the novel. This practice is led by the local Mormon bishop, Dyer, who has run off and then abandoned the sister of the black-clad, Mormon-killer Lassiter, and given away her baby daughter. Grey has a scene where the four Mormon wives of Bishop Dyer try to get Jane Withersteen to marry Tull, conceding that the choice is between marrying for love and thus going to Hell, or living a sad life of obedience to the Church as slaves to their Mormon husbands. It is clear Zane Grey considers Mormon women saints for what they put up with from their Mormon men, and he does not believe that the choice the Church gives Mormon women is from God. In a time of “Marriage Equality”, when same-sex marriage as well as polygamous marriage, incestuous marriage, and man-child marriage are being or will be tested in court, the concerns Grey discusses are sobering.
This novel is best -- and wonderful -- when Grey is describing the land of Southern Utah, the mountains, valleys, storms, sage, trees, flowers. He says he prefers to write descriptions and then fill them with peoples‘ stories. As a result, the land he pictures is amazing. Also, he is magnificent in his telling of horses and riders racing over the hills and trails. Thrilling is Venters on the big sorrel Wrangle chasing down the Mormon gang leader Jerry Card who switches from one black Arabian(Night) to the other(Black Star) to try and outrun his pursuer:
“Now, Wrangle!‘ cried Venters. “Run, you big devil! Run!
…Cruelly he struck his spurs into Wrangle’s flanks. A light touch of spur was sufficient to make Wrangle plunge. And now, with a ringing, wild snort, he seemed to double up in muscular convulsions and to shoot forward with an impetus that almost unseated Venters. The sage blurred by, the trail flashed by, and the wind robbed him of breath and hearing. Jerry Card turned once more. And the way he shifted to Black Star showed he had to make his last desperate running. Venters aimed to the side of the trail and sent a bullet puffing the dust beyond Jerry.… For a mile, with Black Star leaving Night behind and doing his utmost, Wrangle did not gain; for another mile he gained little, if at all. In the third he caught up with the now galloping Night and began to gain rapidly on the other black[Black Star].”
There’s a famous horse race scene in Anna Kerenina by Russian author Leo Tolstoy in which Count Vronsky, Anna’s lover, is thrown from his horse when his mount breaks its back and Anna runs to his side, leaving her husband in the stands, embarrassed. Tolstoy’s scene is a classic; I like Zane Grey’s racing horses better.
Give this novel a try. I had fun and want to read the sequel.
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